Düdjom Rinpoche — The Practice of the Three Skies — Volume II

Düdjom Rinpoche — The Practice of the Three Skies — Volume II, translated from the Tibetan and commented by Jean-Luc Achard. Translated from the French by Marianne Ginalski, Editions Khyung-Lung, 2024, 114 pages.

The volume 2 of the practice of the Three Skies by Düdjom Rinpoche is finally out!

The text translated and commented in this volume describes the main principles of this most iconic yoga according to the synthesis drawn by Düdjom Rinpoche (1904-1987) based on the teachings of his masters.

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Table of Contents
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Introduction 13
1. The source of the text 14
2. The principles of the practice of the Three Skies 16
3. The characteristics of the place 22


Utterly Profound and Ultimate Instructions on the Three Skies
— Precepts of the Secret Cycle of the Great Perfection 25
1. The identification of the Three Skies 25
1-1. The Outer Sky 25
1-2. The Inner Sky 25
1-3. The Secret Sky 25
2. The manner of practicing 26
3. The progress in practice 26
4. Characteristics of Equipoise and Post-Obtainment 27
5. Direct Introduction to the nature of the Path 28
6. Dispelling obstacles 29


The Mirror of the Diamond Sky — Abridged Commentary
the Utterly Secret Instructions on the Three Skies 33


The Contemplative Ornaments of the Lord of Mysteries —
Detailed Commentary on the Secret Instructions of the
Practice of the Three Skies 45
1. The identification of the Three Skies 46
1-1. The Outer Sky 46
1-2. The Inner Sky 46
1-3. The Secret Sky 47
2. The manner of practicing 49
2-1. Guru-Yoga 49
2-2. The purification of stale air 49
2-3. The key point of the body 50
2-4. The key point of the doors 50
2-5. The key point of the mind 51
2-6. The absence of artifice 51
2-7. The three Natural Accesses 52
2-7-1. The Natural Access to the Mountain 52
2-7-2. The Natural Access to the Ocean 54
2-7-3. The Natural Access to Awareness 55
2-7-4. The combination of the three Natural Accesses 56
2-8. The Supreme Meditation 56
3. The progress in practice 57
3-1. the Yoga of Day and Night 58
3-2. The special methods 58
3-3. Integrating the Conduct 60
3-4. Remaining in the state of the mirror 61
4. Characteristics of Equipoise and Post-Obtainment 61
4-1. The definition of Equipoise 61
4-2. The definition of Post-Obtainment 62
4-3. The paradigm of deviation 63
4-4. The emergence and liberation of thoughts 63
4-5. The seal of compassion 65
4-6. The practice of the Horizon of Day and Night 66
5. Direct Introduction to the nature of the Path 67
5-1. The definition of Meditation 67
5-2. The experience of calm 68
5-3. The experience of movement 70
5-4. The experience of equality 70
5-5. The experience of Spontaneity 72
6. Dispelling obstacles 74
6-1. The lack of training 74
6-2. Discursive streams 75
6-3. The key point of corrections 76
6-4. The absence of attachment 78
6-5. The devotion for the master 79
6-6. The cultivation of altruism 81
6-7. Respecting the seal of secrecy 82
7. Colophon 84


Notes on the Utterly Secret Oral Transmission of the Practice
of the Three Skies according to the tradition of Rigdzin
Tsewang Norbu 87
1. The identification of the Three Skies 88
2. The manner of practicing 88
2-1. The key point of the body 89
2-2. The key point of breathing 89
2-3. The key point of the doors 89
2-4. The key point of the mind 89
3. The progress in practice 90

4. Characteristics of Equipoise and Post-Obtainment 91
5. Introduction to the methods of the Path 92
6. The dispelling of obstacles 96


Appendix — The Utterly Secret Yoga of Darkness 101
1. The preliminaries 101
2. The main Practice 102
2-1. The Pressure of the Ocean 102
2-2. The Entrance into the radiance of the Ocean 102


Bibliography 105

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The Threefold Heart Advice of Jigme Lingpa

The Threefold Heart Advice of Jigme Lingpa, translation from the Tibetan and commentary by Jean-Luc Achard. Translated from the French by Marianne Ginalski, Khyung-mkhar, 2024, 50 pages, PDF edition.

Among the immense corpus of texts and instructions left by Jigme Lingpa (1730–1798), his Heart Advice in Three Stanzas sums up the essence of the Path of the Great Perfection. In particular, the author addresses the notion of Non-Meditation, which has often been misunderstood, both in Tibet and more recently in the West. This volume also clarifies some of the representations that are at the heart of the Great Perfection.

Table of Contents

Introduction 4
1. Biography of Jigme Lingpa 7
2. The text of the Threefold Heart Advice 13

The Threefold Heart Advice of Jigme Lingpa 15

The meaning of the Threefold Heart Advice
composed by Jigme Lingpa Khyentse Özer 16

Thematic Commentary on the Threefold
Heart Advice 18
1. Abiding in the state of Non-Meditation 19
2. The Natural State of Primordial Purity 25
3. The manner of practicing 28

Appendix—Prayer to Jigme Lingpa 34

Glossary 38
Bibliography 47

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Song on the Dreamlike Semblance of Appearances and Emptiness by Khenpo Tsültrim Gyamtso

Song on the Dreamlike Semblance of Appearances and Emptiness, by Khenpo Tsültrim Gyamtso Rinpoche, translated from the Tibetan and commented by Jean-Luc Achard. Translated from the French by Marianne Ginalski, PDF ed., 12 pages.

The notions of dreamlike semblance (rmi lam lta bu) and equality (mnyam nyid) are at the heart of Khenpo Tsültrim Gyamtso Rinpoche's song. They are in line with the classical teachings of Buddhism and are discussed here from the perspective of the Great Perfection (rdzogs chen). Khenpo Rinpoche (1934–2024) is a patriarch of the Kagyüpa school who has intensively disseminated the teachings of the Great Perfection over the past decades, beginning with the instructions drawn from Chogyur Lingpa's Lamrim Yeshe Nyingpo.

 

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The Structure of the Bima Nyingthik

The Structure of the Bima Nyingthik, by Jean-Luc Achard. Translated from the French by Marianne Ginalski, PDF ed., 16 pages.

This short booklet describes the specific topics and contents of the Bima Nyingthik that was discovered in Central Tibet prior to 1000 AD. This collection is the most important of all Heart-Drops teachings.
 

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The Themes of the Seventeen Tantras

The Themes of the Seventeen Tantras, by Jean-Luc Achard. Translated from the French by Marianne Ginalski, PDF ed., 16 pages.


This short booklet describes the specific topics and contents of the Seventeen Tantras (rGyud bcu bdun) of the Vimalamitra tradition (8^th century).

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Düdjom Rinpoche: Le Guru-Yoga appelé Disque Lumineux de la Pratique

 Düdjom Rinpoche: Le Guru-Yoga appelé Disque Lumineux de la Pratique, traduit du tibétain et commenté par Jean-Luc Achard, Khyung-mkhar, édition PDF, 2024, 24 pages.

Ce fascicule contient la traduction d’un Guru-Yoga dzogchen composé par Düdjom Rinpoche (1904–1987). Le texte est accompagné d’un commentaire mettant en particulier l’accent sur l’explication des principes de la Grande Perfection (comme inter alia les Corps d’Arc-en-ciel) abordés dans le traité-racine.

 
Table des Matières
 
Le Guru-Yoga appelé Disque Lumineux de la Pratique   3
 
Les Parures Contemplatives des Porteurs-de-Science formant
le Commentaire du Guru-Yoga appelé Disque Lumineux de la Pratique   6
 
1. Le sens de l’introduction  6
1-1. Le sens du titre du texte  6
1-2. L’hommage  7
 
2. Le corps du texte  7
2-1. Les préliminaires  7
2-1-1. La Voie à laquelle les instructions appartiennent  7
2-1-2. L’établissement des fondements  7
2-1-3. La prise de Refuge  8
2-1-4. Le développement de la bodhicitta  8
 
2-2. La pratique principale  9
2-2-1. L’énoncé de la supplique  9
2-2-2. La requête des bénédictions  11
2-2-3. La récitation du mantra  17
2-2-4. La transmission des Consécrations  18
2-2-5. La demeure dans l’état naturel  19
 
3. La conclusion  20
3-1. La dédicace  20
3-2. Le colophon  21
 
Œuvres de Düdjom Rinpoche aux Editions Khyung-Lung  22
 

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The Natural Freedom of Wisdom

 The Natural Freedom of Wisdom, revealed by Drimé Künga & Jamyang Khyentsé Wangpo, translated from the Tibetan by Jean-Luc Achard, translated from the French by Marianne Ginalski, PDF version, Editions Khyung-Lung, February 2024, 35 pages.

 

The Natural Freedom of Wisdom (Ye shes rang grol) is a short work discovered in the 14^th century by Drimé Künga and later rediscovered by Jamyang Khyentsé Wangpo in the 19^th century. This is a text authored by Padmasambhava and addressed to his  consort Yeshé Tsogyel. It covers the teachings of the Great Symbol or Mahāmudrā from a Nyingma perspective and, in this tradition, appears to be equivalent to the level of the Mind Series or Semdé (Sems sde).

Table of Contents

Introduction    6      

1. The meaning of the Great Symbol      6      

2. The three principles of the Great Symbol     8

2-1. View       8  

2-2. Meditation      8

2-3. Fruit      10

3. The practice of the Great Symbol     10

3-1. The qualified master       10

3-2. Practicing the oral instructions   12

The Natural Freedom of Wisdom—Quintessential 

Instructions on the Great Symbol       14                     

1. The Great Symbol of the View        14

2. The Great Symbol of Meditation    16

3.  The Great Symbol of the Fruit     17

4. The Great Symbol of practice     19    

Colophon    21  

Appendix I—Dzogchen and Mahāmudrā according 

the Nyingmapa tradition     23

Appendix II—Biography of Drimé Künga (1347–?)     27    

Appendix III—Glossary of Wylie equivalences        31

                

Bibliography     34

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La Liberté Naturelle de la Sagesse par Drimé Künga

 La Liberté Naturelle de la Sagesse, révélée par Drimé Künga & Jamyang Khyentsé Wangpo, traduction du tibétain par Jean-Luc Achard ; version PDF, Editions Khyung-Lung, Février 2024, 35 pages

 La Liberté Naturelle de la Sagesse (Ye shes rang grol) est un court traité découvert au 14e siècle par Drimé Künga et redécouvert par Jamyang Khyentsé Wangpo au 19e siècle. Il s'agit d'un texte rédigé par Padmasambhava et adressé à sa compagne dévouée Yeshé Tsogyel. Le  texte traite des enseignements du Grand Symbole ou Mahāmudrā d'un point de vue Nyingma. Dans cette tradition, ces enseignements relèvent du niveau de la Série de l'Esprit ou Semdé (Sems sde).

 

Table des Matières

 

Introduction    6

 

1. La signification du Grand Symbole  6

2. Les trois principes du Grand Symbole   8

2-1. La Vue     8

2-2. La Méditation     9

2-3. Le Fruit       10

3. La pratique du Grand Symbole     11

3-1. Le maître qualifié     11

3-2. La mise en pratique des instructions orales  12

 

La Liberté Naturelle de la Sagesse — Instructions

Essentielles sur le Grand Symbole      14

 

1. Le Grand Symbole de la Vue     14

2. Le Grand Symbole de la Méditation   16

3. Le Grand Symbole du Fruit        18

4. Le Grand Symbole de la pratique     19

 

Colophon      22

 

Appendice I — Dzogchen et Mahāmudrā selon

la tradition Nyingmapa      23

 

Appendice II — Biographie de Drimé Künga (1347–?)   27

 

Appendice III — Glossaire d’équivalences     31

 

Bibliographie     34

 

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